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Rosie the
Apparoosa
#1469 - Ceramic.
Herd #2 - Fall, 2003. Retired - March 2004.
Artist: Marianne Hornbuckle;
Sponsor: Santa Fe Youth Symphony This work of radiant and unusual beauty
was created by a New Mexico artist nationally
known for using the floral form as a means for
exploring the relationships of color and value in
painting. Riotous displays of multi-hued roses in
bud and bloom, with not a single flower repeated,
sprout from earthen hooves and thorny branch
covered legs. "I dubbed her Rosie,"
says Marianne, "and as she departed her
first stable on a warm day in May, three real
rose bushes by my studio door bloomed more
profusely than any past spring."
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Unity
#1468 - Ceramic.
Herd #2 - Fall, 2003. Retired - March 2004.
Artist: George Monfils; Sponsor:
The Slyvia Toth Foundation It was not solely for his grand vision -
combining imagery of the early Spanish explorers
who brought the horese to America five centuries
ago, with representations of the Native tribes
whose culture was radically changed by the horse
- that this former fashion photographer turned
pop artist received the award for the most
ambitious Pony. To give his artwork monumental
impact, George Monfils cover it with over a
million and a half tiny Indian seed beads,
applied one at a time! So impressive was the
outcome, which took the artist over 1,400 hours
to complete, that it was nominated for the
Guinness Book of World Records.
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Give Me
Wings
#1471 - Ceramic.
Herd #2 - Fall, 2003. Retired - July 1, 2005.
Artist: Kathy Marrow; Sponsor:
High Desert Bank Many of
the Painted Ponies carry messages or themes, and
this is one for our time. It was inspired by a
poem Kathy wrote after the events of September 11:
"I will not forget those who sacrificed on
the altar of freedom. Precious freedom, give me
wings to soar beyond my dreams and touch the
stars." As a child of the Southwest, the
artist was raised on the San Carlos Apache
Reservation and Pine Ridge Sioux Reservation,
where her father trained Indian police forces.
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Go Van
Gogh
#1472 - Resin.
Herd #2 - Fall, 2003. Retired - February 2005.
Artist: Star Liana York; Sponsor:
The Trail of Painted Ponies This tribute to the Dutch master, which
combines two of his most recognizable paintings
with a humorous rendition of his facial
appearance, complete with a missing ear, was
created by the sculptor who designed the actual
horse forms used in The Trail of Painted Ponies
art project. As talented at painting as she is at
sculpting, Star, who also breeds horses on her
New Mexico ranch, knows her horses, and playfully
named this piece after the famous racehorse, Go
Man Go.
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